{"product_id":"camille-pissarro-the-boulevard-montmartre-on-a-winter-morning-fine-art-print","title":"Camille Pissarro — The Boulevard Montmartre on a Winter Morning | Fine Art Print","description":"\u003cp\u003eA Paris boulevard runs straight into a grey haze between rows of bare trees and tall apartment blocks with chimney pots along their roofs. Dark cabs and carriages move both ways down the pale roadway, a tall street lamp stands near the centre, and people in dark coats walk the road and crowd the pavements. A round kiosk stands on the right-hand pavement. The palette is grey, beige and muted rose. Signed and dated 97 at lower left.\u003c\/p\u003e\u003cp\u003ePissarro painted this canvas early in 1897 from a room at the Grand Hôtel de Russie, which gave him an almost bird's-eye view down the length of the boulevards. From February through April he painted fourteen views of the boulevard Montmartre to the left of his window and two of the boulevard des Italiens to the right, recording the carriages, omnibuses and people below. This is the winter-morning view in that run of the boulevard Montmartre.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1897, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eCamille Pissarro (1830–1903) was a painter and printmaker born on St Thomas in the Danish West Indies to a Jewish merchant family of French and Portuguese descent. He settled in France in 1855, where Camille Corot encouraged him to paint from nature, and worked for years around Pontoise and Louveciennes. He was the only artist to show in all eight Impressionist exhibitions. In his fifties he took up Georges Seurat's dotted technique for a time, and in the 1890s, when an eye infection kept him indoors, he painted series of Paris boulevards and gardens from hotel windows. Paul Cézanne and Paul Gauguin both worked beside him. His paintings are held by the Musée d'Orsay, the Metropolitan Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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