{"product_id":"caravaggio-sacrifice-of-isaac-fine-art-print","title":"Caravaggio — Sacrifice of Isaac | Fine Art Print","description":"\u003cp\u003eAn old man with a bald head and long white beard, in an orange robe, holds a boy down with a hand at his jaw and a knife in the other hand. A winged youth with curly hair at the left grips the old man's wrist and points to a ram at the right. The boy lies bare-chested across the dark foreground, his mouth open in a cry, and a red cloth lies across the angel's lap. Behind, a hilltop village rises under a pale blue sky.\u003c\/p\u003e\u003cp\u003eThe Uffizi attributes the commission to Maffeo Barberini, the future Pope Urban VIII, whose payments to the painter are cited as evidence of Caravaggio's authorship. The museum reads the angel as a physical presence, gripping Abraham's wrist to stop the sacrifice. John Fairfax Murray, who had bought the canvas as a work by Gherardo delle Notti, gave it to the Uffizi in 1917.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1603; Uffizi Galleries, Florence.\u003c\/p\u003e\u003cp\u003eCaravaggio (Michelangelo Merisi da Caravaggio, 1571–1610) was an Italian Baroque painter, apprenticed in Milan to Simone Peterzano before moving to Rome around 1592. He painted directly from live models without preparatory drawings, developing an extreme form of chiaroscuro, later called tenebrism, in which figures emerge from near-total darkness into a single sharp source of light. His frank naturalism and immediacy, applied even to religious subjects, influenced a generation of painters across Europe. His paintings are held by the Galleria Borghese in Rome, the National Gallery, London and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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