{"product_id":"charles-schreyvogel-the-last-drop-western-art-print","title":"Charles Schreyvogel — The Last Drop | Western Art Print","description":"\u003cp\u003eOn a stony orange plain under a pale blue sky, a cavalry trooper in a dark blue shirt and trousers kneels at the head of his chestnut horse, holding his upturned hat under its muzzle and tipping a canteen into it as the horse drinks. A cartridge belt circles his waist. The saddle carries a carbine, saddlebags and a blue blanket edged in yellow. A red-rock bluff rises at right. Inscribed Copyright 1900 by Chas Schreyvogel at lower left and signed again at lower right.\u003c\/p\u003e\u003cp\u003eSchreyvogel painted The Last Drop in 1900, and it became one of his most popular images. He later modelled the same scene in bronze, first cast by Roman Bronze Works in 1903; it was one of only three sculptures he made, and casts are held by several museums, including the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003eCharles Schreyvogel (1861–1912) was an American painter of frontier military life. Born in Hoboken, New Jersey, to German immigrant parents, he taught himself to draw and later studied in Germany under Carl von Marr. Between 1893 and 1905 he made frequent trips west, including five months on the Ute reservation in Colorado in 1903, gathering Indigenous and military material for pictures painted in Hoboken, often on the roof of his brownstone. My Bunkie won the Thomas B. Clarke Prize at the National Academy of Design in 1901. When Frederic Remington attacked the accuracy of Custer's Demand, Theodore Roosevelt took Schreyvogel's side. His work is held by the Metropolitan Museum of Art, the National Cowboy \u0026amp; Western Heritage Museum and the Gilcrease Museum.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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