{"product_id":"edmund-dulac-stories-from-hans-andersen-the-poor-old-minister-stared-as-hard-as-he-could-fairy-tale-illustration-print","title":"Edmund Dulac — Stories from Hans Andersen: The Poor Old Minister Stared as Hard as He Could | Fairy Tale Illustration Print","description":"\u003cp\u003eTwo weavers stand at a great wooden loom with twisted posts in a vaulted brick-arched room, its bare warp threads hung with shuttles. One, in a black cap and orange tabard, rests a hand on the beam; the other, bearded and curly-haired, smirks behind. Beside them at the right an old man in spectacles and a jewelled black cap peers at the loom, a hand raised to his mouth. An open chest spills bright silks at the left. Signed at lower left. From The Emperor's New Clothes.\u003c\/p\u003e\u003cp\u003eThe original: colour halftone plate from Stories from Hans Andersen, Hodder \u0026amp; Stoughton, London, 1911. University of California Libraries.\u003c\/p\u003e\u003cp\u003eEdmund Dulac (1882–1953) was a French-born illustrator and designer from Toulouse, who studied law before turning to art and settled in London in his early twenties. After a first commission for the novels of the Brontë sisters, the Leicester Galleries and Hodder \u0026amp; Stoughton issued a gift book a year with his colour plates, among them Stories from the Arabian Nights (1907), The Tempest (1908), The Rubaiyat of Omar Khayyam (1909) and Poe's The Bells (1912). He became a British citizen in 1912. After the First World War he turned to magazine work, banknotes and stamps, including the first stamps of Elizabeth II's reign. His work is held by the Victoria and Albert Museum, the Metropolitan Museum of Art and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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