{"product_id":"francisco-de-goya-senora-sabasa-garcia-fine-art-print","title":"Francisco de Goya — Señora Sabasa Garcia | Fine Art Print","description":"\u003cp\u003eA young woman with short auburn curls looks out from under a sheer silver-grey mantilla that falls to her shoulders. A golden-ochre shawl, painted in loose, broken strokes of yellow, brown and orange, wraps her shoulders and is gathered at the front, and her arms in long white sleeves or gloves cross at her waist. The background is plain black, so the face, the gauze and the shawl carry the picture.\u003c\/p\u003e\u003cp\u003eThe National Gallery of Art dates the portrait to the years between Goya's appointment as first painter to the court of Charles IV and the Napoleonic invasion of 1808, a time of great activity for him. It notes that, unlike his earlier portraits, Goya dispensed with the setting entirely here and treated the costume far more loosely.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, about 1806\/1811; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born in Fuendetodos in Aragon. He rose through tapestry designs for the royal factory to become court painter to Charles IV in 1789 and First Court Painter in 1799. Deafness from 1793 turned his work inward: the eighty prints of Los Caprichos appeared in 1799, the Disasters of War recorded the Peninsular War (published only in 1863), and the Black Paintings covered the walls of his house outside Madrid in 1819–1823. He left Spain in 1824 and died in Bordeaux; The Third of May 1808 and the Black Paintings hang in the Museo del Prado.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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