{"product_id":"frederic-remington-an-early-start-for-market-western-art-print","title":"Frederic Remington — An Early Start for Market | Western Art Print","description":"\u003cp\u003eA string of burros plods across pale ground under a sky with a few stars, their backs loaded with bundles and slatted crates. Two men in tall peaked sombreros ride at the back of the train, one in a red jacket among the burros, the other in a red serape on a spotted horse. A dark ridge closes the horizon, and the whole scene is washed in cool blue-green night tones broken by the reds of the riders' clothes. Collier's Weekly reproduced it in colour in July 1905.\u003c\/p\u003e\u003cp\u003eFrederic Remington (1861–1909) fixed the visual image of the American West for a century. A magazine illustrator first, he travelled on commission through the plains and the Southwest and drew cavalry columns, scouts and cow ponies with a reporter's specificity; late in life he turned to painting proper, and to nocturnes in which the figures are barely readable against blue dark. He was also a serious bronze sculptor. His work is held by the Amon Carter Museum, the Metropolitan Museum of Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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