{"product_id":"george-bellows-dempsey-and-firpo-fine-art-print","title":"George Bellows — Dempsey and Firpo | Fine Art Print","description":"\u003cp\u003eA boxer in lavender trunks stands square at the left with his fists up and his gloves dark. The other, in white trunks, has been knocked backwards through the ropes: his legs are still in the air, one black boot level with his opponent's chest, while his head and arms plunge down among the men at the ringside. A referee in a white shirt and green tie holds a rope at the right. Below, faces crane up open-mouthed, and two pairs of white lamps burn in the dark hall.\u003c\/p\u003e\u003cp\u003eThe painting records the heavyweight fight of 14 September 1923 between Jack Dempsey and Luis Angel Firpo, which was over in less than four minutes; Bellows chose the moment when Firpo put his opponent out of the ring, although Dempsey climbed back and won. He was at ringside on assignment for the New York Evening Journal, and the Whitney Museum of American Art, which bought the canvas with funds from Gertrude Vanderbilt Whitney, notes that he painted himself in as the balding man at the far left.\u003c\/p\u003e\u003cp\u003eGeorge Bellows (1882–1925) was an American painter of the Ashcan School. Born in Columbus, Ohio, he studied under Robert Henri in New York and became known for vigorous, dramatically lit scenes of the city's underside, above all the boxing paintings Stag at Sharkey's and Both Members of This Club, both 1909, alongside crowded urban views such as Cliff Dwellers (1913). His work is held by the Metropolitan Museum of Art, the National Gallery of Art and the Whitney Museum of American Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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