{"product_id":"george-catlin-tah-teck-a-da-hair-steep-wind-a-brave-of-the-bad-arrow-points-band-western-art-print","title":"George Catlin — Táh-téck-a-da-háir, Steep Wind, a Brave of the Bad Arrow Points Band | Western Art Print","description":"\u003cp\u003eA Sioux man of the Bad Arrow Points band is shown half-length against an olive-brown ground, his eyes turned to our right. His headdress sweeps down his back in long black-and-white eagle feathers tipped with red, under a blue band set with brass studs and a spray of red and white plumes. He grips a long pipe stem wrapped in white quillwork with a black zigzag and red horsehair tufts; his robe carries quilled strips in red and yellow. Catlin painted him on his 1832 journey up the Missouri.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1832, Smithsonian American Art Museum.\u003c\/p\u003e\u003cp\u003eGeorge Catlin (1796–1872) was an American painter of the peoples of the Plains. Born in Wilkes-Barre, Pennsylvania, he gave up the law in 1821 to paint portraits. From St. Louis he made five journeys between 1830 and 1836; in 1832 he went up the Missouri River to Fort Union, painting Mandan, Hidatsa, Crow, Assiniboine, Blackfeet and other nations. He showed the resulting Indian Gallery to paying audiences in American cities and, from 1839, in London, Brussels and Paris, where he often staged Native Americans dancing alongside it. Debt forced its sale in 1852; it reached the Smithsonian in 1879. His work is held by the Smithsonian American Art Museum and the American Museum of Natural History.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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