{"product_id":"george-catlin-tis-se-woo-na-tis-she-who-bathes-her-knees-wife-of-the-chief-western-art-print","title":"George Catlin — Tís-se-wóo-na-tís, She Who Bathes Her Knees, Wife of the Chief | Western Art Print","description":"\u003cp\u003eA red cross is painted on her forehead and a red disc on each cheek. Her hair hangs in two long braids from a centre part marked in red. She wears a white dress with blue and red beaded bands and a blue star on each shoulder, two gold discs on the chest, and layers of beads and gold discs at the neck. A rose-pink cloth and dark fur lie over her shoulder at the right. She is the wife of the Cheyenne chief Wolf on the Hill.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1832; Smithsonian American Art Museum.\u003c\/p\u003e\u003cp\u003eGeorge Catlin (1796–1872) was an American painter of the peoples of the Plains. Born in Wilkes-Barre, Pennsylvania, he gave up the law in 1821 to paint portraits. From St. Louis he made five journeys between 1830 and 1836; in 1832 he went up the Missouri River to Fort Union, painting Mandan, Hidatsa, Crow, Assiniboine, Blackfeet and other nations. He showed the resulting Indian Gallery to paying audiences in American cities and, from 1839, in London, Brussels and Paris, where he often staged Native Americans dancing alongside it. Debt forced its sale in 1852; it reached the Smithsonian in 1879. His work is held by the Smithsonian American Art Museum and the American Museum of Natural History.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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