{"product_id":"georges-seurat-aman-jean-portrait-of-edmond-francois-aman-jean-fine-art-print","title":"Georges Seurat — Aman-Jean (Portrait of Edmond François Aman-Jean) | Fine Art Print","description":"\u003cp\u003eA young man is seen in profile facing right, from the chest up, his tousled dark hair and beard merging into the shadowy ground. A bright white collar catches the light against a black coat. His lowered eyes follow his hand at the lower right, which holds a long slender brush out in front of him. Everything is built from the grain of the paper: soft black crayon laid over its ribbed surface, so that the light parts are simply paper left bare.\u003c\/p\u003e\u003cp\u003eSeurat and Edmond Aman-Jean were fellow students at the École des Beaux-Arts and shared a Paris studio in 1879. This drawing was the first work Seurat showed publicly, accepted at the Paris Salon of 1883. It came to the Metropolitan Museum with the bequest of Stephen C. Clark in 1960, and the museum counts it among its collection highlights.\u003c\/p\u003e\u003cp\u003eThe original: Conté crayon on Michallet paper, 1882–83, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eGeorges Seurat (1859–1891) was a French painter, born in Paris. He trained at the École des Beaux-Arts under Henri Lehmann, then developed, through study of colour theory by Michel Eugène Chevreul and Ogden Rood, a technique of applying small dots of pure colour that he called chromoluminarism and that became known as pointillism. His large exhibition canvases, above all A Sunday Afternoon on the Island of La Grande Jatte, translate everyday Parisian leisure into carefully calculated, almost systematic arrangements of colour and form. His paintings are held by the Art Institute of Chicago, the Musée d'Orsay and the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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