{"product_id":"gustave-caillebotte-young-man-at-his-window-fine-art-print","title":"Gustave Caillebotte — Young Man at His Window | Fine Art Print","description":"\u003cp\u003eA man in a dark suit stands with his back to us at an open window, looking down over a stone balustrade onto a sunlit street. Cream apartment blocks with grey slate roofs and green trees line the road, and a woman in a long dress and a horse-drawn carriage appear tiny far below. A red tufted armchair sits at the lower right, and the window glass at the right holds a faint blue-grey reflection.\u003c\/p\u003e\u003cp\u003eCaillebotte showed this canvas at the 1876 Impressionist exhibition, alongside Les raboteurs de parquet. Painted from a slightly raised viewpoint, with the man placed off-centre, it sets the dominant foreground figure against the emphatic diagonals of the street beyond. The J. Paul Getty Museum in Los Angeles bought it in 2021, its first Caillebotte.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1876, J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eGustave Caillebotte (1848–1894) was a French painter closely tied to the Impressionists, whom he also supported as a collector, buying paintings by Monet, Renoir and Pissarro and helping fund their exhibitions. Trained under Léon Bonnat after a law degree, he painted the streets and boating life of Paris with a sharper, more realist precision than his colleagues, most famously in Paris Street; Rainy Day (1877) and The Floor Scrapers (1875). His work is held by the Art Institute of Chicago, the Musée d'Orsay and the Museum of Fine Arts, Boston.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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