{"product_id":"gustave-dore-a-rider-and-a-dead-horse-in-a-landscape-fine-art-print","title":"Gustave Doré — A Rider and a Dead Horse in a Landscape | Fine Art Print","description":"\u003cp\u003eA dead horse lies on its side in the dark, its legs stiff, a fallen rider's body beside it. A lightning bolt forks across the stormy sky at upper left, illuminating a massive gnarled tree that dominates the composition. A lone hooded figure with a walking staff approaches from the shadows in the middle distance. Executed in brown and grey wash heightened with white, the scene reads almost entirely in tone rather than color. The artist's signature appears at lower right.\u003c\/p\u003e\u003cp\u003eGustave Doré (1832–1883) was a French illustrator, painter and sculptor from Strasbourg, and the most prolific and widely reproduced book illustrator of the nineteenth century. Largely self-taught, he was publishing caricatures in Paris at fifteen, and from the late 1850s his wood-engraved plates for Dante's Inferno (1861), Perrault's fairy tales (1862), Cervantes, Milton, the Bible (1866) and Poe's The Raven (1884) fixed the look of those books for generations of readers. Engraved by a workshop led by Héliodore Pisan and Adolphe Pannemaker, his designs combine minute detail with theatrical light, vast landscapes and crowds of figures. From the 1860s he also painted large canvases and Alpine, Scottish and Spanish landscapes, exhibited at the Doré Gallery in London, and turned to sculpture in his last decade. His work is held by the Musée d'Art Moderne et Contemporain de Strasbourg, the Bibliothèque nationale de France, the Metropolitan Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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