{"product_id":"henrique-alvim-correa-the-death-of-the-curate-1906-science-fiction-illustration-print","title":"Henrique Alvim Corrêa — The Death of the Curate (1906) | Science Fiction Illustration Print","description":"\u003cp\u003eIn a half-ruined cellar, daylight comes through a broken roofline behind. A man in a light coat crouches on a step with both hands clamped over his head; another lies on his back on the floor at the left, face up beside a great ovoid Martian body, with segmented feeding tubes uncoiling across the boards between them. A lamp-like apparatus stands on thin legs at the upper left, a second ovoid presses in from the right, and a staircase climbs behind.\u003c\/p\u003e\u003cp\u003eHenrique Alvim Corrêa (1876–1910) was born in Rio de Janeiro and settled as a young man in Belgium, where he worked at the edge of the Brussels Symbolist circle. He began drawing scenes from H.G. Wells's \u003cem\u003eThe War of the Worlds\u003c\/em\u003e on his own initiative, and when Wells saw the portfolio he gave it his blessing — he is said to have remarked that Alvim Corrêa had done more for his book with a brush than he had with a pen. The drawings appeared in the deluxe Brussels edition published by L. Vandamme \u0026amp; Co in 1906: 500 numbered copies, a hundred illustrations in the text and thirty-two full plates. Corrêa died of tuberculosis four years later, at thirty-four. The plates are still the images most readers picture when they imagine Wells's Martians, and they set the pattern for a century of science-fiction art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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