{"product_id":"hilma-af-klint-the-ten-largest-no-1-childhood-fine-art-print","title":"Hilma af Klint — The Ten Largest, No. 1, Childhood | Fine Art Print","description":"\u003cp\u003eA loose wreath of white blossoms and pink concentric roses curls across the upper half of a deep blue ground. Below, a looping orange line forms open spirals and knots around a small pale circle inscribed with two blue letterforms, ringed by a cluster of yellow buds. Six discs — yellow, blue and white in pairs — line up along the bottom edge, in flat, even fields of paint over visible brushwork.\u003c\/p\u003e\u003cp\u003eThe Ten Largest is a series of ten paintings, each about 240 by 320 centimetres, that af Klint made in 1907 as part of The Paintings for the Temple, her first major group of largely nonobjective work. The series describes the stages of life from early childhood to old age; Childhood opens it. The Guggenheim Museum's 2018–19 exhibition of her paintings presented this work to a wide public.\u003c\/p\u003e\u003cp\u003eHilma af Klint (1862–1944) was a Swedish painter who arrived at abstraction years before Kandinsky, Malevich or Mondrian. Trained at the Royal Academy of Fine Arts in Stockholm and working professionally as a botanical and landscape painter, she began in 1906 the vast cycle she called The Paintings for the Temple — swans, altarpieces, spirals and the ten great sheets of The Ten Largest — guided by her involvement with theosophy and the spiritualist group known as The Five. Convinced the work would not be understood in her lifetime, she left instructions that it not be exhibited until twenty years after her death. Her paintings are held by the Hilma af Klint Foundation and Moderna Museet in Stockholm.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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