{"product_id":"hiroshi-yoshida-approach-to-agra-japanese-woodblock-print-shin-hanga","title":"Hiroshi Yoshida — Approach to Agra | Japanese Woodblock Print (Shin Hanga)","description":"\u003cp\u003eThe Taj Mahal stands pale against a soft green-grey sky, seen from across the flats on the approach to Agra. Yoshida keeps the whole sheet in muted rose, sand and grey, with the dome and its four minarets drawn in fine outline and washed with the faintest pink. A line of small dark figures and animals crosses the middle distance from left to right, tiny against the building. The foreground is an expanse of pale sand with a thin band of water at the lower left.\u003c\/p\u003e\u003cp\u003eHiroshi Yoshida (1876–1950) came to woodblock printing from Western-style oil and watercolour painting, and the meeting of the two defines his work. He travelled widely before turning to prints — the Alps, the Rockies, India, Egypt and China all enter his subjects — and in 1925 set up his own studio, supervising the carving and printing himself instead of working through a publisher. That control let him print one set of blocks in several colour states, so the same view could be given morning, evening or mist. His prints are held by the Metropolitan Museum of Art, the British Museum and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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