{"product_id":"j-m-w-turner-liber-studiorum-little-devils-bridge-over-the-russ-above-altdorft-switzerland-mezzotint-print","title":"J.M.W. Turner — Liber Studiorum: Little Devil's Bridge over the Russ above Altdorft, Switzerland | Mezzotint Print","description":"\u003cp\u003eA single stone arch leaps across a narrow Alpine gorge, and through its opening a torrent falls pale and misty between cliffs. Tall, thin firs crowd the rocks at left; at right a great broken trunk slants up from a ledge, its pale roots torn loose, while a dark sapling bends low beneath it. A small white bird flies past the broken tree against the sheer cliff face, and light streaks down the stormy sky. The plate is from Turner's Liber Studiorum, published in 1809.\u003c\/p\u003e\u003cp\u003eThe original: etching and mezzotint by J.M.W. Turner and Charles Turner, published 1809, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJ.M.W. Turner (1775–1851) was an English Romantic landscape and marine painter. Admitted to the Royal Academy Schools at fourteen, he trained under the topographical draughtsman Thomas Malton and studied old masters through the collection of his patron Thomas Monro. Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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