{"product_id":"j-m-w-turner-liber-studiorum-mildmay-sea-piece-mezzotint-print","title":"J.M.W. Turner — Liber Studiorum: Mildmay Sea-piece | Mezzotint Print","description":"\u003cp\u003eA broad beach meets a choppy sea under banked cloud, where rays break through above a bright, pale disc low over the water. A boat with two pale sails rides the breakers with its crew aboard. On the sand a barefoot figure runs to the left with one arm flung out, and a woman holding a child stands at the water's edge. An anchor juts from the shallows at right; at left men work at a beached boat beside timbers and casks. The lettering names Sir John Mildmay as the painting's owner.\u003c\/p\u003e\u003cp\u003eThe original: etching and mezzotint, published 1812, The Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eJ.M.W. Turner (1775–1851) was an English Romantic landscape and marine painter. Admitted to the Royal Academy Schools at fourteen, he trained under the topographical draughtsman Thomas Malton and studied old masters through the collection of his patron Thomas Monro. Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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