{"product_id":"j-m-w-turner-liber-studiorum-rispah-mezzotint-print","title":"J.M.W. Turner — Liber Studiorum: Rispah | Mezzotint Print","description":"\u003cp\u003eA hooded woman sits on a bare slope at night, one hand at her face and the other holding out a flaming torch. Long draped forms lie on the ground around her, and at lower left a pair of bony feet and a jaw show through the earth. Dark trees crown the rise, a thin crescent moon and stars hang above, and a pale bird skims the stream at right. The lettering cites the Second Book of Samuel; the plate is from Turner's Liber Studiorum, published in 1812.\u003c\/p\u003e\u003cp\u003eThe original: mezzotint and etching by J.M.W. Turner and Robert Dunkarton, published 1812, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJ.M.W. Turner (1775–1851) was an English Romantic landscape and marine painter. Admitted to the Royal Academy Schools at fourteen, he trained under the topographical draughtsman Thomas Malton and studied old masters through the collection of his patron Thomas Monro. Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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