{"product_id":"jan-van-eyck-portrait-of-margareta-van-eyck-fine-art-print","title":"Jan van Eyck — Portrait of Margareta van Eyck | Fine Art Print","description":"\u003cp\u003eA woman with pale, level features turns slightly to the left against a black ground. A white pleated linen headdress falls to her shoulders over two horned caps of brown and gold, and a grey fur collar shows at her neck. She wears a red gown with deep folds, gathered at the waist by a broad green band. Fine cracks cover the surface of the paint.\u003c\/p\u003e\u003cp\u003eThe inscription is written as though the sitter were speaking: Margareta says that her husband, Jan van Eyck, completed her in 1439, at the age of thirty-three. Musea Brugge notes that Van Eyck painted the frame and the back of the panel to resemble marble, which is why the portrait is displayed free-standing, with both sides visible rather than hung against a wall.\u003c\/p\u003e\u003cp\u003eThe original: oil on oak, 1439; Groeningemuseum, Bruges.\u003c\/p\u003e\u003cp\u003eJan van Eyck (c. 1380\/1390–1441) was a Flemish painter of the early Netherlandish school, born in Maaseik in the Prince-Bishopric of Liège. His training is undocumented. He worked at the court of John III of Bavaria in The Hague, then as court painter to Philip the Good, Duke of Burgundy, in Lille, and from 1429 lived in Bruges. He is known for the Ghent Altarpiece, completed in 1432 with his brother Hubert, for the Arnolfini Portrait (1434), and for detailed, naturalistic panels painted in oil glazes, often signed with the motto ALS ICH KAN. His work is held by the National Gallery, London, the Louvre and the Groeningemuseum in Bruges.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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