{"product_id":"john-constable-a-mill-near-colchester-landscape-fine-art-print","title":"John Constable — A Mill Near Colchester | Landscape Fine Art Print","description":"\u003cp\u003eA windmill with four long sails, one of them reddish, stands at the left beside a tall brick chimney stack and the dark gable end of a house, under a sweeping sky of blue and cream cloud dotted with dark birds. A figure stands in the doorway of the mill's red-brown base, a round millstone leaning beside it. A small tree leans in the centre foreground, a red-roofed cottage sits low at the right, and a second, tiny windmill rises on the far horizon.\u003c\/p\u003e\u003cp\u003eThe original: watercolour over traces of graphite, 1833, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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