{"product_id":"john-constable-the-cornfield-mezzotint-print","title":"John Constable — The Cornfield | Mezzotint Print","description":"\u003cp\u003eTall trees crowd both sides of a sunken lane, their crowns rising into a sky of towering cloud. At the left a boy lies flat on the bank to drink from a stream, his hat on the grass beside him, while two donkeys, one small and pale, stand behind. A black-and-white sheepdog looks back at a flock of sheep in the lane, and beyond a plough a figure in a hat stands by a gatepost. David Lucas engraved the plate after Constable's painting.\u003c\/p\u003e\u003cp\u003eThe original: mezzotint (progress proof) by David Lucas after John Constable, 1832 or later, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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