{"product_id":"john-constable-the-lock-mezzotint-print","title":"John Constable — The Lock | Mezzotint Print","description":"\u003cp\u003eA lock-keeper in a hat leans his weight on a long bar to work the gate of a timber lock, while beyond him a barge noses in under a massive, storm-bent tree and a man in a white shirt hauls on a line. At left a harnessed horse grazes beside a boy in a pale cap and a spaniel. Rain streaks down from dark clouds at upper left; far off, a church tower rises over flat meadows. David Lucas engraved this mezzotint after Constable's painting.\u003c\/p\u003e\u003cp\u003eThe original: mezzotint (progress proof) by David Lucas after John Constable, in or after 1832, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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