{"product_id":"john-constable-the-white-horse-landscape-fine-art-print","title":"John Constable — The White Horse | Landscape Fine Art Print","description":"\u003cp\u003eA white cart horse in dark harness stands on a wooden barge at the left, while two men on board, one working a long pole, ferry it across a still, dark river. Beyond, a red-roofed cottage with a tall chimney sits among thick trees, a small rowing boat is moored at the far bank, and at the right cattle wade into the shallows. Broken timber and a post frame the foreground. Loosely brushed clouds of grey and pink fill the upper half.\u003c\/p\u003e\u003cp\u003eThis canvas is the first of the full-scale sketches Constable painted for his six-foot canal scenes. The finished painting developed from it is now in The Frick Collection, New York. Constable almost certainly kept the sketch in his studio until his death in 1837.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1818–1819, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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