{"product_id":"john-constable-weymouth-bay-mezzotint-print","title":"John Constable — Weymouth Bay | Mezzotint Print","description":"\u003cp\u003eDark storm cloud fills the sky, torn open at the right where white cloud catches the light and rain slants down. Beneath it a bay curves to a long headland, waves breaking white at the left and a single sail far out. On the beach a man in a hat walks toward us while another figure stoops under a pale bundle, and a line of pale sheep moves along the foot of the cliff at the right. David Lucas engraved the plate in mezzotint after Constable.\u003c\/p\u003e\u003cp\u003eThe original: mezzotint (progress proof) on chine collé by David Lucas after John Constable, 1830, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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