{"product_id":"john-constable-wivenhoe-park-essex-landscape-fine-art-print","title":"John Constable — Wivenhoe Park, Essex | Landscape Fine Art Print","description":"\u003cp\u003eUnder a tall sky of blue and heaped grey-white cloud, a sunlit slope of pasture runs down to a broad lake. Black-and-white cattle graze behind a rustic split-rail fence at the lower left, two white swans glide on the water, and two men in a rowing boat draw in a net strung with floats. Across the lake a wooden bridge, dense dark trees and a red-brick house close the view. On the far left slope a small figure drives a donkey cart: the daughter of the house, Mary Rebow.\u003c\/p\u003e\u003cp\u003eConstable painted the park in the summer of 1816 on a commission from its owner, Major General Francis Slater Rebow, one of his early patrons, and reported the picture complete that September. To take in the whole view he widened the canvas with a strip at either side. The commission came as he was preparing to marry Maria Bicknell, which he did in October 1816. The painting is in the National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1816, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJohn Constable (1776–1837) was an English landscape painter, born in East Bergholt, Suffolk, the son of a prosperous miller. He entered the Royal Academy Schools in 1799 and chose landscape over the history painting the academies favoured, returning again and again to his native Stour valley and sketching in oil out of doors. The White Horse (1819) began a series of six large canvases of the river, among them The Hay Wain (1821), which won a gold medal at the Paris Salon of 1824. His work was admired in France, where it inspired the Barbizon painters, and he became a full Academician only at 52. His paintings are held by the National Gallery, London, the Victoria and Albert Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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