{"product_id":"john-william-waterhouse-the-magic-circle-pre-raphaelite-art-print","title":"John William Waterhouse — The Magic Circle | Pre-Raphaelite Art Print","description":"\u003cp\u003eA dark-haired woman in a turquoise gown, a green snake coiled at her neck and a sickle in one hand, trails a long wand across the dusty ground to draw a glowing circle. Beside her a cauldron over red embers sends a column of pale smoke straight up into a slate-grey sky. Ravens stand about, one perched on a skull at the left, and a frog sits at lower right. Brown cliffs rise behind, a red glow in a cave mouth.\u003c\/p\u003e\u003cp\u003eWaterhouse showed The Magic Circle at the Royal Academy in 1886, his third supernatural subject in as many years after Consulting the Oracle and Saint Eulalia. It was well received, and the Tate Gallery bought it that same year for 650 pounds through the Chantrey Bequest; it hangs today at Tate Britain. Waterhouse also painted a smaller version of the subject, now in a private collection.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1886, Tate Britain, London.\u003c\/p\u003e\u003cp\u003eJohn William Waterhouse (1849–1917) was an English painter working in a Pre-Raphaelite and classical Symbolist style. Born in Rome to English painter parents, he trained at the Royal Academy Schools from 1871 and exhibited at the Royal Academy's summer show almost every year from 1874 to 1916, becoming a full Academician in 1895. He painted subjects from mythology and Arthurian and Tennysonian literature, including three versions of The Lady of Shalott and Hylas and the Nymphs (1896). His paintings are held by Tate, Manchester Art Gallery and Leeds Art Gallery.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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