{"product_id":"joris-hoefnagel-wart-biter-grasshopper-hyacinth-and-almond-botanical-calligraphy-print","title":"Joris Hoefnagel — Wart-Biter, Grasshopper, Hyacinth, and Almond | Botanical Calligraphy Print","description":"\u003cp\u003eTwelve lines of slanting script, opened by a gold initial D, fill the upper half of the page. Below, two long-legged insects stand face to face with their antennae crossed, one reddish-brown and one green. Under them a spike of lilac hyacinth lies on its side, its narrow petals curling back, and beside it a green-gold almond with a pronounced seam sits on its forked stalk, both casting soft shadows on the vellum.\u003c\/p\u003e\u003cp\u003eThe leaf belongs to the Mira calligraphiae monumenta, a model book of writing made in Vienna in 1561–62 by Georg Bocskay, secretary to Emperor Ferdinand I. Around 1591–96 Emperor Rudolf II had Joris Hoefnagel illuminate it, a pairing of scribe and painter the Getty counts among the most unusual in the history of manuscript illumination.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Mira calligraphiae monumenta (Model Book of Calligraphy), watercolours, gold and silver paint and ink on parchment, written by Georg Bocskay in Vienna in 1561–62 and illuminated 1591–96; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. For Rudolf he painted flowers, fruit and insects onto the pages of a calligraphy model book written thirty years earlier by Georg Bocskay, now in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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