{"product_id":"kalighat-painter-jailer-receiving-the-mahant-of-tarakeshwar-in-prison-kalighat-painting-print","title":"Kalighat painter — Jailer Receiving the Mahant of Tarakeshwar in Prison | Kalighat Painting Print","description":"\u003cp\u003eThree men share a bare buff sheet. At left a round-faced warden sits on a black chair in a tall silver-striped black top hat, a black coat with silver buttons and pale trousers. At centre the bearded Mahant stands barefoot in a patterned sash across his chest, silver cords looped round his arms. At right a jailer in a dark blue striped jacket, maroon trousers and a maroon hat trimmed in silver rests a hand on the Mahant's shoulder.\u003c\/p\u003e\u003cp\u003eThe Tarakeshwar case of 1873 was a public scandal in Calcutta: an affair between a young wife, Elokeshi, and the chief priest of the Shiva temple at Tarakeshwar ended with her husband killing her. Bengali plays and Kalighat pictures took up the story, and the Cleveland Museum of Art notes that this scene, in which the priest is brought to an English warden, was imagined by the painter and did not happen.\u003c\/p\u003e\u003cp\u003eThe original: black ink, gum tempera and tin paint on paper, about 1890, The Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eKalighat painting is a style of watercolour on paper made in Calcutta, now Kolkata, from the nineteenth century into the early twentieth by patuas, traditional scroll painters, working near the Kalighat Kali temple. They sold the pictures cheaply to pilgrims and visitors, painting them quickly in broad, sweeping outlines and bold colour on plain backgrounds. Hindu gods and goddesses share the repertoire with satirical scenes of the changing city, such as the dandyish babu and the courtesan. Competition from cheap coloured lithographs ended the tradition, but its simplified forms influenced modern Indian painters, among them Jamini Roy. The Victoria and Albert Museum holds the largest collection, including some 233 paintings once owned by John Lockwood Kipling; others are held by the Cleveland Museum of Art and Minneapolis Institute of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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