{"product_id":"kitagawa-utamaro-three-beauties-of-the-present-day-okita-toyohina-ohisa-japanese-woodblock-print-ukiyo-e","title":"Kitagawa Utamaro — Three Beauties of the Present Day: Okita, Toyohina, Ohisa | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eThree women are shown from the bust up in the ōkubi-e manner, their hair dressed high with combs and pins. The woman at left wears an olive-brown robe and looks aside; the center figure holds a closed fan near her chin; the woman at right, in a salmon-pink kimono patterned with vines, holds a fan low. Columns of brushed calligraphy fill the ground on both sides. The artist's signature, 'Utamaro hitsu,' and a round seal appear at the lower left.\u003c\/p\u003e\u003cp\u003eKitagawa Utamaro (c. 1753–1806) defined the ukiyo-e portrait of women. Working with the publisher Tsutaya Jūzaburō in the 1790s, he introduced the ōkubi-e, or large-head print, which brought the viewer close enough to read a glance or a gesture, and he gave the beauties of the Yoshiwara district individual faces and names. Mica grounds, transparent textiles and fine line work made his prints the most refined of their day. His work is held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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