{"product_id":"loyset-liedet-and-pol-fruit-the-abduction-of-ydoire-illuminated-manuscript-print","title":"Loyset Liédet and Pol Fruit — The Abduction of Ydoire | Illuminated Manuscript Print","description":"\u003cp\u003eBefore a grey-towered walled city, two knights clash, one in a rose-pink studded jacket and gilded shoulder plates on a bay horse, the other in black with a blue shield and a raised sword. At the right a knight with a halberd rides beside a lady on a white horse whose bridle a youth in yellow grips; at the lower left a man in black armour leads a lady on a white horse, and striped tents stand far off. Below, red and black Gothic script opens with a gilded initial.\u003c\/p\u003e\u003cp\u003eThe original: a cutting from the Histoire de Charles Martel, written in Brussels in 1463–1465 and illuminated in Bruges in 1467–1472, in tempera colours, gold leaf and gold paint. It is held by the J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eLoyset Liédet was a Flemish illuminator who worked for most of his career for the dukes of Burgundy, Philip the Good and Charles the Bold. His earliest known work was finished in Hesdin in 1454; by 1468 he had moved to Bruges, where in about two years he painted more than 400 miniatures for Charles the Bold in bright colours, with stiff-limbed figures and heavily shaded faces. Leaves from a historical romance he illuminated with Pol Fruit are in the J. Paul Getty Museum. Pol Fruit was a Flemish illuminator active about 1468 who painted decorated initials for manuscripts made in Bruges. The accounts of Philip the Good, duke of Burgundy, record a payment to him for the large, medium and small letters of a historical manuscript whose miniatures were then painted by Loyset Liédet, and he probably worked in Liédet's workshop. The manuscript is in Brussels, and fifteen leaves from it are in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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