{"product_id":"master-of-james-iv-of-scotland-spinola-hours-office-of-the-dead-illuminated-manuscript-print","title":"Master of James IV of Scotland — Spinola Hours: Office of the Dead | Illuminated Manuscript Print","description":"\u003cp\u003eIn a Gothic chapel hung with blue banners, a priest in a gold vestment raises his hands at a red-draped altar beneath a gilded altarpiece, while choristers in white surplices sing from open books. Hooded mourners in black kneel round a bier draped in blue and gold and ringed with tall yellow candles. Beneath a lettered panel lies a vault with a gilt effigy on a blue tomb chest, and outside to the right a churchyard path passes stacked skulls under a spire.\u003c\/p\u003e\u003cp\u003eThe leaf comes from the Spinola Hours, a Flemish book of hours with eighty-eight large illuminations, for which the Master of James IV of Scotland was the primary illuminator, working with several other painters; it takes its name from the Spinola family of Genoa, who owned it in the 1700s. Here the painted frame divides the page into simultaneous views of the chapel, its exterior and a vault below ground.\u003c\/p\u003e\u003cp\u003eThe original: a page from the Spinola Hours, a book of hours illuminated in Bruges or Ghent about 1510–20, in tempera colours, gold and ink on parchment; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eThe Master of James IV of Scotland is the name scholars give a Flemish illuminator active in the years around 1500, after a portrait of King James IV of Scotland in a devotional manuscript. Over some forty years the artist directed an active workshop and contributed to many lavish manuscripts of the period, filling them with robust, unidealised figures, vivid scenes of daily life and borders that play illusionistic games with the miniatures they frame. Some evidence suggests the master may be the painter Gerard Horenbout. Leaves are held by the J. Paul Getty Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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