{"product_id":"otto-freundlich-komposition-1930-yellow-blue-abstract-mosaic-fine-art-print","title":"Otto Freundlich — Komposition (1930) | Yellow \u0026 Blue Abstract Mosaic Fine Art Print","description":"\u003cp\u003eA great oval of yellow, orange and cream tesserae swells through a field of blues and greens, with rose and brick-red facets gathering at the lower edge. This 1930 composition belongs to the moment when Freundlich's work was shown alongside Mondrian and Arp in Cercle et Carré; its rhythm of small squares gathering into one large gesture is his signature device. One of the most luminous works he painted.\u003c\/p\u003e\u003cp\u003eOtto Freundlich (1878–1943) was one of the first European painters to commit fully to abstraction. Born in Pomerania, he settled in Paris in 1908 among the artists of the Bateau-Lavoir, worked on the restoration of the stained glass at Chartres Cathedral, and went on to build his mature paintings from interlocking fields of colour laid down like mosaic tesserae, later co-founding the Abstraction-Création group. In 1937 the Nazi regime singled out his work as 'degenerate', and he did not survive the war. His paintings were gathered by his companion Jeanne Kosnick-Kloss and donated to the Musée de Pontoise, and they have been steadily rediscovered ever since as a cornerstone of early abstraction.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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