{"product_id":"otto-freundlich-sans-titre-blue-abstract-composition-fine-art-print","title":"Otto Freundlich — Sans titre | Blue Abstract Composition Fine Art Print","description":"\u003cp\u003eSlate blue, powder blue, dark teal and near-black are arranged in broad curving planes, a dark arc sweeping diagonally through the middle of the sheet. The palette is unusually restrained for Freundlich, which lets the architecture of the picture — his interlocking, almost sculptural facets — come forward. The work is undated; stylistically it sits with his compositions of the early 1930s.\u003c\/p\u003e\u003cp\u003eOtto Freundlich (1878–1943) was one of the first European painters to commit fully to abstraction. Born in Pomerania, he settled in Paris in 1908 among the artists of the Bateau-Lavoir, worked on the restoration of the stained glass at Chartres Cathedral, and went on to build his mature paintings from interlocking fields of colour laid down like mosaic tesserae, later co-founding the Abstraction-Création group. In 1937 the Nazi regime singled out his work as 'degenerate', and he did not survive the war. His paintings were gathered by his companion Jeanne Kosnick-Kloss and donated to the Musée de Pontoise, and they have been steadily rediscovered ever since as a cornerstone of early abstraction.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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