{"product_id":"paul-gauguin-ia-orana-maria-hail-mary-fine-art-print","title":"Paul Gauguin — Ia Orana Maria (Hail Mary) | Fine Art Print","description":"\u003cp\u003eA woman in a red pareu printed with white flowers stands at the right with a child on her shoulder, both ringed by thin gold haloes. Two women in blue and pale pareus stand with palms pressed together, and behind a shrub of white blossoms an angel with blue-violet and yellow wings half hides. Red and yellow bananas and green breadfruit lie on a low red altar in front. IA ORANA MARIA is lettered on a yellow band at lower left; the signature and date 91 are at lower right.\u003c\/p\u003e\u003cp\u003ePainted in 1891, during Gauguin's first stay in Tahiti, it recasts the Virgin and Child as a Tahitian mother and child. In an 1892 letter to Daniel de Monfreid he described an angel with yellow wings pointing out Mary and Jesus, both Tahitians, to two Tahitian women. It is the only explicitly Christian painting of that first stay, and the two women's praying poses come from reliefs of the Javanese temple of Borobudur, which he knew from photographs. It hangs in the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1891, Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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