{"product_id":"paul-gauguin-idol-with-a-pearl-scene-with-three-figures-woodcut-print","title":"Paul Gauguin — Idol with a Pearl: Scene with Three Figures | Woodcut Print","description":"\u003cp\u003eThree figures stand out as solid black shapes on pale paper beneath a broken arch. At left a seated figure with long hair, seen in profile, reaches across to the central figure, whose large profile head is streaked with pale lines of hair and whose body carries a crescent and hooked signs. At right a long-haired figure with a skull-like face bends over a crouching form. Small suns, rings and scrolls are cut into the dark shapes, and a block at lower left bears looped letters.\u003c\/p\u003e\u003cp\u003eThe original: print, Bibliothèque nationale de France, Paris.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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