{"product_id":"paul-gauguin-landscape-in-brittany-the-david-mill-fine-art-print","title":"Paul Gauguin — Landscape in Brittany: The David Mill | Fine Art Print","description":"\u003cp\u003eA grey stone mill with a dark blue roof and a waterwheel under an arch stands at the left above a curving stream. Trees in orange, gold and russet climb the hillside behind a second gabled house, under a white cloud and a blue sky. In the green meadow below, two Breton women stand by slender pale trees, one in a white cap and red skirt, the other bending forward in dark clothes, and a brown dog walks in front of them. Signed and dated 94 at lower right.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1894, Musée d'Orsay, Paris.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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