{"product_id":"paul-gauguin-mahana-no-atua-day-of-the-god-fine-art-print","title":"Paul Gauguin — Mahana no atua (Day of the God) | Fine Art Print","description":"\u003cp\u003eA carved god, green-faced with raised hands, stands on a rock under a dark tree at the top centre. Around it two women in white pareus carry a tray on their heads, a seated figure plays a flute, a woman holds a child, and two women in red pareus stand above a yellow beach with a rider and a canoe. Below, on a pink bank, a bather sits at the water's edge between two reclining figures, above pools of blue, yellow, orange and violet. Signed and titled at lower left.\u003c\/p\u003e\u003cp\u003eUnlike the pictures he painted in Tahiti, this canvas was made in Paris in 1894, soon after Gauguin returned from his first stay on the island, and was drawn from memory and invention; the Art Institute of Chicago counts it among the most abstract works of his career. Edgar Degas bought it from Gauguin's studio exhibition in December 1894, and it was given to the Art Institute in 1926.\u003c\/p\u003e\u003cp\u003eThe original: oil on linen canvas, 1894, Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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