{"product_id":"paul-gauguin-still-life-with-chinese-peonies-and-mandolin-fine-art-print","title":"Paul Gauguin — Still Life with Chinese Peonies and Mandolin | Fine Art Print","description":"\u003cp\u003ePink, coral and lilac-white peonies spill from a dark blue vase with an oval medallion, set on a round woven straw mat. Beside it a brown mandolin lies face down, a loose string trailing from its tail end, and at left a white bowl painted with blue-green leaves sits on the pale tablecloth, which is scattered with red petals. The wall behind is deep blue, with a white panel and a framed landscape of trees at the upper left. Signed and dated at the lower right.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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