{"product_id":"paul-gauguin-ta-matete-the-market-fine-art-print","title":"Paul Gauguin — Ta Matete (The Market) | Fine Art Print","description":"\u003cp\u003eFive Tahitian women sit in a row on a green bench, most in profile, wearing high-necked missionary dresses of dark green, green, lavender, red-orange and yellow. They raise their hands in stiff gestures; one wears a crown of yellow flowers, another holds a white cloth. At right a woman stands in a red and gold pareu. Behind them, two men in blue wraps carry fish slung from a pole past blue tree trunks and red and green foliage. TA MATETE is painted at lower left.\u003c\/p\u003e\u003cp\u003eTa matete was painted in 1892, during Gauguin's first stay in Tahiti; the Tahitian title means the market. Its frieze-like row of seated women is based on the banquet scene from the Egyptian tomb-chapel of Nebamun, whose paintings Gauguin had seen in the British Museum in 1885 and knew from photographs. The canvas belongs to the Kunstmuseum Basel.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1892, Kunstmuseum Basel.\u003c\/p\u003e\u003cp\u003ePaul Gauguin (1848–1903) gave up a career as a Paris stockbroker to paint, and in 1885 left his wife and five children to pursue it. He led the Pont-Aven painters toward flat colour and simplified form, and worked beside Van Gogh in Arles in 1888. From 1891 he lived mostly in Tahiti and, from 1901, the Marquesas, where Polynesian figures, colour and myth became his subject. There he took girls of thirteen and fourteen as his 'wives': by his own account Teha'amana, whose face recurs in the Tahitian paintings of 1891–93, was thirteen. His synthetist style shaped the Nabis, Fauvism and Expressionism; in recent decades historians and museums have reassessed him for this sexual exploitation of Polynesian girls and for the colonial fantasy of Tahiti his work helped build. His paintings are held by the Musée d'Orsay, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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