{"product_id":"paul-signac-portrait-de-felix-feneon-fine-art-print","title":"Paul Signac — Portrait de Felix Feneon | Fine Art Print","description":"\u003cp\u003eA man stands in strict profile facing left, red-brown hair and a pointed goatee, in a mustard overcoat with a black tie. His raised hand holds a white cyclamen on a long stem; the other carries a black top hat and gloves. Behind him a pinwheel turns from a point at the left - orange and blue arcs, magenta and yellow rays, a green wave field, a blue sector strewn with yellow stars. All of it is laid in small round dots of unmixed colour set side by side.\u003c\/p\u003e\u003cp\u003eSignac gave the canvas the full title Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Felix Feneon in 1890. Feneon was the critic who coined the term Neo-Impressionism and who championed Seurat and Signac. The swirling ground behind the sitter was taken from a Japanese woodblock design in Signac's own collection. Critics at its first showing in 1891 were largely unconvinced, and the painting has been in the Museum of Modern Art, New York, since 1991.\u003c\/p\u003e\u003cp\u003ePaul Signac (1863–1935) was a French Neo-Impressionist painter who, with Georges Seurat, developed pointillism, applying pure colour in small, separate dots that blend in the viewer's eye. Largely self-taught, he met Seurat in 1884 and co-founded the Société des Artistes Indépendants that year. After Seurat's death he settled at Saint-Tropez and turned increasingly to watercolour, painting the harbours and sailing craft of Mediterranean ports in loose, luminous washes. His work is held by the Musée d'Orsay, the Metropolitan Museum of Art and the Museum of Modern Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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