{"product_id":"pierre-joseph-redoute-gloriosa-superba-climbing-lily-botanical-illustration-print","title":"Pierre-Joseph Redouté — Gloriosa Superba (Climbing Lily) | Botanical Illustration Print","description":"\u003cp\u003eA slender climbing lily winds up a bare vellum sheet inside a ruled gold border. At upper left one flower sweeps its narrow, wavy-edged petals straight back, red at the tips and yellow at the base, leaving long green stamens splayed below. A closed bud hangs at right, split to show red, and lower down a green seed pod dangles among withered brown petals. Smooth pointed leaves taper into coiled tendrils.\u003c\/p\u003e\u003cp\u003eThe original: watercolour and gilt on vellum, about 1810, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003ePierre-Joseph Redouté (1759–1840) was a botanical painter, born in Saint-Hubert in present-day Belgium, who worked in Paris. The botanist Charles-Louis L'Héritier de Brutelle taught him to dissect and draw plants precisely, and Gerard van Spaendonck at the Jardin du Roi shaped his watercolour. Draughtsman to Queen Marie-Antoinette, he worked on through the Revolution, and from 1798 the Empress Joséphine was his patron, with the plants of her garden at Malmaison as his subject. His watercolours were published as colour stipple engravings, above all in Les Liliacées and Les Roses, whose plates were framed as pictures and copied onto porcelain. His work is held by the Metropolitan Museum of Art, the Cleveland Museum of Art and the Los Angeles County Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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