{"product_id":"pieter-bruegel-the-elder-the-conversion-of-paul-fine-art-print","title":"Pieter Bruegel the Elder — The Conversion of Paul | Fine Art Print","description":"\u003cp\u003eAn army winds through a narrow mountain pass of golden crags and dark firs, riders and pikemen packed along a steep path. In the crowd at the centre a figure in teal lies on the ground beside a horse. In the foreground soldiers in plumed hats look on from a rock ledge beneath a long pink banner, one in a yellow coat on a grey horse; a green lake lies high in the pass at the upper right, and a sea opens far below to the left.\u003c\/p\u003e\u003cp\u003eThe Kunsthistorisches Museum notes that, as often with Bruegel, the main scene is small, embedded and almost hidden within a large one. An army is losing its way on an impassable mountain. A political reading of the episode, as an allusion to the Duke of Alba's 1567 Alpine crossing, is generally not accepted.\u003c\/p\u003e\u003cp\u003eThe original: painting on oak wood, 1567; Kunsthistorisches Museum, Vienna.\u003c\/p\u003e\u003cp\u003ePieter Bruegel the Elder (c. 1525–1569) was a Netherlandish painter and printmaker. He trained in Antwerp, likely under Pieter Coecke van Aelst, and travelled to Italy before settling first in Antwerp and later Brussels, working for merchant and court patrons. His crowded panoramas of peasant life, proverbs and biblical scenes set in contemporary Flemish landscape combine close observation of ordinary people with wit and, at times, dark allegory. His paintings are held by the Kunsthistorisches Museum Vienna, the Museo del Prado and the Royal Museums of Fine Arts of Belgium.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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