{"product_id":"shitao-wilderness-colors-pink-ridges-and-blue-green-pines-chinese-ink-painting-art-print","title":"Shitao — Wilderness Colors (Pink Ridges and Blue-Green Pines) | Chinese Ink Painting Art Print","description":"\u003cp\u003eA wash of pale blue fills the sky, broken by soft dark blue silhouettes of distant hills and a band of white cloud. Below, rose-tan ridges drawn in quick broken strokes step down across the leaf, and a spreading canopy of blue-green pines with pinkish trunks fills the lower right, with a second low stand of pines along the bottom edge. Shitao's inscription and two red seals sit at the upper right, two collectors' seals at the left edge. A leaf from his album Wilderness Colors, about 1700.\u003c\/p\u003e\u003cp\u003eThe original: album leaf, ink and colour on paper, about 1700, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eShitao (1642–1707), born Zhu Ruoji into the Ming imperial clan in Guangxi, escaped the fall of the dynasty as a child and had become a Buddhist monk by 1651. He lived in Anhui, Nanjing and Yangzhou, spent some years in Beijing seeking patronage, and in 1693 turned to Daoism and settled in Yangzhou, where he died. He painted landscapes, flowers and figures in many manners, treating earlier styles as a starting point rather than a model, and in his Comments on Painting wrote of the single brushstroke as the root of painting. With Bada Shanren he is counted among the Individualist painters of the early Qing. His work, including Wilderness Colors, is held by the Metropolitan Museum of Art and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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