{"product_id":"sultan-ali-al-mashhadi-page-of-calligraphy-from-a-mantiq-al-tayr-language-of-the-birds-deep-blue-gold-sprinkled-border-islamic-calligraphy-art-print","title":"Sultan 'Ali al-Mashhadi — Page of Calligraphy from a Mantiq al-Tayr (Language of the Birds) (Deep Blue Gold-Sprinkled Border) | Islamic Calligraphy Art Print","description":"\u003cp\u003eFour columns of black nasta'liq verse fill a tan text panel, broken by three small gold cartouches of chapter-heading script, each flanked by triangular blue-and-maroon floral corner-pieces. Thin red and gold rules border the panel, which is set within a wide deep-blue album margin dusted with very fine gold flecks.\u003c\/p\u003e\u003cp\u003eThe original: a folio of calligraphy from a Mantiq al-Tayr (Language of the Birds) manuscript, Herat, present-day Afghanistan; text dated 892 AH\/1487 CE. Calligraphy by Sultan 'Ali al-Mashhadi. Ink, opaque watercolour, silver and gold on paper. The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eSultan Ali Mashhadi (died 1520) was the foremost master of nasta'liq at the Timurid court of Herat. A native of Mashhad, he spent many years in Herat under the princes Abu Sa'id and Sultan Husayn Mirza, knew the poet Jami and the statesman Ali-Shir Nava'i, and left dated calligraphy from 1461 to 1515. Manuscripts and album pages in his hand, among them a 1487 copy of Attar's Language of the Birds, are held by the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in solid wood with low-reflection glazing, or unframed. 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