{"product_id":"sultan-ali-al-mashhadi-page-of-calligraphy-with-stenciled-and-painted-borders-from-a-subhat-al-abrar-rosary-of-the-devout-of-jami-islamic-calligraphy-art-print","title":"Sultan 'Ali al-Mashhadi — Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami | Islamic Calligraphy Art Print","description":"\u003cp\u003eA cream text panel holds diagonal lines of black nasta'liq verse at the top and two vertical columns below; small painted triangular vignettes fill its corners, including a seated horned animal on a pale blue ground at the left edge and a long-tailed orange-breasted bird holding a sprig at the upper right. A wide tan-gold margin surrounds the panel, stencilled edge to edge with dark teal birds among flowering vines and rosettes.\u003c\/p\u003e\u003cp\u003eThe original: a page of calligraphy with stencilled and painted borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, Herat or Mashhad, present-day Afghanistan or Iran; text about 1500, borders added in the first quarter of the 17th century. Calligraphy by Sultan 'Ali al-Mashhadi. Ink, gold and opaque watercolour on paper. The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eSultan Ali Mashhadi (died 1520) was the foremost master of nasta'liq at the Timurid court of Herat. A native of Mashhad, he spent many years in Herat under the princes Abu Sa'id and Sultan Husayn Mirza, knew the poet Jami and the statesman Ali-Shir Nava'i, and left dated calligraphy from 1461 to 1515. Manuscripts and album pages in his hand, among them a 1487 copy of Attar's Language of the Birds, are held by the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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