{"product_id":"thomas-moran-bridge-in-the-pass-of-glencoe-scotland-etching-print","title":"Thomas Moran — Bridge in the Pass of Glencoe—Scotland | Etching Print","description":"\u003cp\u003eA single-arched stone bridge spans a rocky burn in the middle distance, and a drover with a small herd of cattle crosses it towards the left. Behind rise rounded, dark mountains, the left-hand peak wrapped in cloud as streaming lines of light fan out across the sky. In the foreground the stream tumbles between heaped boulders, and a gnarled dead tree and a dark bush rise from the rocks at right. A small thistle is etched in a blank square at lower right beside the monogram signature.\u003c\/p\u003e\u003cp\u003eThe original: etching and roulette in black on wove paper, 1882, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eThomas Moran (1837–1926) was an American painter and printmaker, born in Bolton, Lancashire; his family emigrated to the United States in 1844. Apprenticed to a Philadelphia wood-engraving firm, he taught himself watercolour and in 1862 went to England to study the work of J. M. W. Turner. In 1871 he joined Ferdinand Hayden's government survey of Yellowstone; his sketches, with William Henry Jackson's photographs, helped persuade Congress to make it the first national park in 1872, the year the government bought his painting The Grand Canyon of the Yellowstone. He went on to paint the Grand Canyon, the Rocky Mountains and Chasm of the Colorado (1873–74). His work is held by the Gilcrease Museum, the Smithsonian American Art Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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