{"product_id":"thomas-moran-minerva-terrace-yellowstone-landscape-fine-art-print","title":"Thomas Moran — Minerva Terrace, Yellowstone | Landscape Fine Art Print","description":"\u003cp\u003eA circular view, its lower edge dissolving into bare cream paper, looks across stepped mineral terraces. Rust-red and orange rims hold pools of turquoise and pale blue, pink and yellow streaks run between them, and white deposits spill down a pale slope at the right. Beyond, a broad blue pool and a white plain lead to a purple-brown peak under grey and cream cloud, and a faint rainbow arcs down at the upper left. The monogram signature and the date 1872 are lettered in the paper at the lower left.\u003c\/p\u003e\u003cp\u003eThe original: watercolour and gouache with graphite on wove paper, 1872, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eThomas Moran (1837–1926) was an American painter and printmaker, born in Bolton, Lancashire; his family emigrated to the United States in 1844. Apprenticed to a Philadelphia wood-engraving firm, he taught himself watercolour and in 1862 went to England to study the work of J. M. W. Turner. In 1871 he joined Ferdinand Hayden's government survey of Yellowstone; his sketches, with William Henry Jackson's photographs, helped persuade Congress to make it the first national park in 1872, the year the government bought his painting The Grand Canyon of the Yellowstone. He went on to paint the Grand Canyon, the Rocky Mountains and Chasm of the Colorado (1873–74). His work is held by the Gilcrease Museum, the Smithsonian American Art Museum and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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