{"product_id":"tsukioka-yoshitoshi-ashikaga-yoshimitsu-admiring-the-golden-pavilion-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Ashikaga Yoshimitsu Admiring the Golden Pavilion | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA man in a red robe patterned with round flower crests over white hakama stands beneath a pine beside a pond, gazing up at a three-tiered golden pavilion hung with indigo curtains along each balcony. A companion in a green robe crouches at the lower left. Blue water ripples before a stone embankment, and a text panel and a red title cartouche sit at the upper right, with Yoshitoshi's signature and seal at the lower right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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