{"product_id":"tsukioka-yoshitoshi-earth-for-the-potted-plant-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Earth for the Potted Plant | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA court lady reclines holding an open white folding fan before her, in a purple robe with white roundels over voluminous red trousers. Behind her a large dark-blue basin with a cloud pattern and a ring handle holds a pink peony tree against a red ground, and a blue curtain with an orange phoenix and chrysanthemums hangs at the left. A beige title panel and a red name cartouche sit at the upper right; Yoshitoshi's signature is in a white cartouche at the lower centre, with the publisher's panel at the lower right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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