{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-date-shosho-masamune-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai hyakusensō: Date Shōshō Masamune | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA samurai in profile gazes upward in a helmet with a large gold ornament and dark blue lacquered armor laced with white and gold plates over a kimono patterned with dark leaves; a red cord ties beneath his chin, and a sword hilt shows at his hip. A tall banner inscribed with gold characters rises at the right beside a text panel with small coloured emblem stamps and the series title; Yoshitoshi's signature cartouche and a black seal appear at the upper left.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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